When he drew this lithograph, Wally was probably still working for the Steven Lions Studio in New York City.
Glenora always told me that one of Wally's strengths as an illustrator was his ability to show a variety of emotions in his subjects.
I think this illustration is a good example of what she was talking about.
The article below revealed several important clues narrowing the date of Wally's illustration to late April of 1955.
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